| We need Your Support. Make a Donation now! or |  |
|
Analystes / Reviewers |
|
|
Marry Berry,
John Boyer, Charles
E. Brewer, Fr�d�ric Delam�a, |
|
|
Mary Berry: enseigne, effectue de la recherche et fait la
promotion du chant gr�gorien. Elle dirige la chorale " The Cantors of the
Schola Gregoriana" de Cambridge. Source:Gramophone |
Mary Berry teaches, researches and promotes Gregorian chant and runs
the Schola Gregoriana of Cambridge. Source:Gramophone |
| John Boyer:
travaille dans le monde de l'assurance mais consacre la majeure partie de
ses temps libres � la musique - tout particuli�rement vocale. Source: American Record Guide |
John Boyer: works in the insurance industry (Massachusetts)
but spends most of his spare time on music--especially the voice Source: American Record Guide |
|
Charles E.
Brewer :
enseigne la musique � l'universit� d'�tat de la Floride � Tallahassee. Sa
th�se de doctorat portait sur la musique m�di�vale. Il a r�dig� l'article
portant sur Biber dans le New Grove Dictionary. Source: American Record Guide |
Charles E. Brewer, : teaches music at Florida State in Tallahassee. His doctoral
dissertation was in medieval music, and he wrote the New Grove article on
Biber. Source:
American Record
Guide |
| Fr�d�ric Delam�a:
est sp�cialiste de l'oeuvre de Vivaldi et se consacre � l'�tude des op�ras
du compositeur. Ses travaux ont fait l'objet de plusieurs publications,
notamment sous l'�gide de l'Instituto Italiano Antonio Vivaldi de Venise.
Parall�lement � ses recherches, il conseille et assiste r�guli�rement
musiciens et �diteurs discographiques dans leur prospection de ce
r�pertoire. Source: Goldberg Magazine |
Fr�d�ric Delam�a : is a Vivaldi
specialist particularly interested in the operas of that composer. He has
published several works, particularly under the direction of the Instituto
Italiano Antonio Vivaldi in Venice. In parallel with his research, he also
advises and regularly assists musicians and record labels in relation to
their exploration of this repertoire. Source: Goldberg Magazine |
|
Duncan Druce: est un interpr�te de m�me qu'il �crit sur la musique.
Son �dition du R�quiem de Mozart a �t� enregistr� par le London Classical
Players, sous la direction de Roger Norrington (EMI, analys� dans
Gramophone, 11/92. Source:Gramophone |
Duncan Druce: is a performing musician as well as a writer on music.
His edition of the Mozart Requiem has been recorded by the London Classical
Players, with whom he played as a violinist, under Sir Roger Norrington (EMI,
reviewed in Gramophone 11/92). Source:Gramophone |
|
Richard Fairman: est critique de musique
pour le Financial Times. Il est membre du conseil d'administration du
magazine Opera. Il travaille �galement pour le National Sound Archive
de la British Library, o� il a produit son premier enregistrement en 1999. Source:Gramophone |
Richard Fairman: is a
music critic for the Financial Times. He is a board member of
Opera magazine and former editor of its website. He also works for the
British Library's National Sound Archive, where he produced his first CD in
1999. Source:Gramophone |
|
|
|
|
David Fallows is a professor of musicology at Manchester University,
where he has taught since 1976. He is also vice-president of the
International Musicological Society. His books have included Dufay, Songs
and Musicians in the Fifteenth Century and A Catalogue of Polyphonic
Songs, 1415-1480. He has prepared a critical edition of Josquin
Desprez's four-voice secular works. Source:Gramophone |
|
|
Iain Fenlon has been a fellow of King's College, Cambridge for over
25 years and has written several books and articles on music in Italy during
the Renaissance. Married to Italian musicologist Nicoletta Guidobaldi, he
divides his time between Paris, Cambridge and Italy. Source:Gramophone |
|
|
Fabrice Fitch is active both as a composer and musicologist, and
currently lectures at the University of Durham. His music has been performed
by the Orlando Consort and Peter Hill, among others, and he has written a
book on the Masses of Ockeghem. He is record reviews editor for the journal
Early Music. Source:Gramophone |
|
|
Jonathan Freeman-Attwood
is a Vice-Principal of London's Royal Academy of Music. As well as producing
recordings for a number of independent labels, he occasionally finds himself
on the other side of the microphone Source: Gramophone |
|
| Maricarmen G�mez apr�s des �tudes � Barcelone et � G�ttingen, Maricarmen G�mez devient professeur de Musicologie � l'Universit� de Barcelone. Elle a �crit plusieurs livres et a �t� directrice de la Soci�t� Internationale de Musicologie (1987-1997). Elle vit � Barcelone. | Maricarmen G�mez studied in Barcelona and G�ttingen. Since 1986 she has been a lecturer in the history of music at the Universidad Aut�noma de Barcelona and has been inivited lecturer at Princeton (1989-1990) and North Texas ((1996) universities. She was director-at-large of the international Musicology Society (1987-1997). Author of several books on Medievela and Renaissance music., she is currently (i.e. 1998) preparing the second volume of her studies on El Cant de la Sibil.la. She lives in Barcelona. |
|
Lindsay Kemp is a producer for BBC Radio 3, where the many
programmes on which he has worked include Music Restored, Spirit
of the Age and Late Junction. He is also a freelance record
producer and a prolific writer of reviews, articles and programme notes. He
has reviewed for Gramophone for 10 years. Source:Gramophone |
|
|
Tess Knighton is editor of Early Music and founder (in 1984) of the
Lufthansa Festival of Baroque Music, of which she was artistic director
until 1997. Her latest book is Music and Culture at the Court of Ferdinand
and Isabella. Source:Gramophone |
|
|
|
|
| Graham Lock est un �crivain
� la pige et un �diteur. Il est aussi professeur de musique am�ricaine
invit� par l'universit� de Nottingham. Il �crit sur la musique depuis de
nombreuses ann�es et`a r�dig� plusieurs essais pour des compagnies de
disques. Outre la musique classique ancienne et baroque, son int�r�t se
porte sur le jazz. Il a publi� quatre livres � date portant sur ce sujet. Source: Goldberg Magazine |
Graham Lock is a freelance writer and editor and a
Special Lecturer in American Music at the University of Nottingham. He's
been writing about music for many years and has provided sleevenotes for
several record companies. Together with baroque and early classical music,
his chief interest is jazz, on which he has published four books to date. Source: Goldberg Magazine |
|
Peter Loewen is a Canadian but teaches music at Eastern Illinois
University. His doctorate was in renaissance music. Source: American Record Guide |
|
|
Ivan Moody: a fait ses �tudes � l'universit� de Londres et a
travaill� avec John Taverner. En tant que compositeur, il a centr� son
travail sur la spiritualit� de l'�glise orthodoxe � laquelle il appartient.
Il a compos� des oeuvres pour The Hilliard Ensemble et Fretwork. Il �crit sur la musique ancienne dans de nombreux magazines. Il habite Estoril, Portugal. Source: Goldberg Magazine |
Ivan Moody: studied
at London University and privately with John Taverner. His work as a
composer is centred on the spirituality of the Orthodox Church, of which he
is a member. He has composed works for, among others, The Hilliard Ensemble
and Fretwork. He has written about early and contemporary music in many
magazines worldwide. He lives in Estoril, Portugal. Source: Goldberg Magazine |
| Tom
Moore: N� � Newport en 1956, Moore �tudia la musique � l'universit�
de Stanford. Il a �crit sur la musique pour Fanfare, Early Music America,
Flutist Quarterly et d'autres publications. En tant que flutiste il
interpr�te de la musique ancienne et contemporaine avec les ensembles Le
Triomphe de l'Amour et le Duo Ronai/Moore. Il habite Trenton au New Jersey.
Source: Goldberg Magazine |
Tom
Moore studied music at Harvard and Stanford and is active as a
flutist in performing both baroque music (with Le Triomphe de l'Amour, which
he co-founded with harpsichordist Janet Palumbo) and contemporary music (with
the Ronai/Moore Duo, which is active in commissioning new works for baroque
and modern flutes). He also has recorded as a singer with Pomerium Musices
and Concert Royal. He has written for Fanfare, Goldberg,
Historical Performance, Early Music America, 21st Century
Music and Music Library Association Notes; he is also active as a
translator. He lives in Trenton, New Jersey. Source: Andante |
| Denis Morier: professeur d'Analyse au
CNSM (Conservatoire National Sup�rieur de Musique et de Danse de Paris) et
de Culture musicale au CRD du Pays de Montb�liard. Collaborateur � la revue Diapason depuis 1986. Publications; |
|
|
Michael Noone est une autorit� dans le domaine de la polyphonie de
la Renaissance espagnole. Son livre Music and Musicians in the Escorial
Liturgy under the Hapsburgs, 1563-1700 a �t� publi� par la University of
Rochester Press en 1998. En tant que chef d'orchestre, il a r�alis�
plusieurs enregistrements avec l'Orchestra of the Renaissance et The Song
Company. Il vit � Tol�de.
Source: Goldberg Magazine
|
Michael Noone |
| Brian Robins -
�crivain freelance, conf�rencier et homme de radio. Son �dition de l'ouvrage
The Journals of John Marsh a �t� publi�e en 1998. Son dernier livre,
Catch and Glee Culture in 18th century England, est sorti en
septembre 2006. Critique pour le magazine am�ricain Fanfare, il contribue
aussi � la r�vision du New Grove Dictionary et de l'Oxford
Dictionary of National Biography. Source: Goldberg Magazine Consultez: www.earlymusicworld.com |
Brian Robins is a
freelance writer, lecturer, and broadcaster. His edition of The Journals
of John Marsh was published in 1998. His most recent book, Catch and
Glee Culture in 18th century England, was published in September 2006. A
regular reviewer for Fanfare (USA), he is also a contributor to the
revised New Grove Dictionary and the Oxford Dictionary of National
Biography. Source: Goldberg Magazine Consult: www.earlymusicworld.com
|
|
|
|
| Olivier Rouvi�re
- Dipl�m� en Histoire de l'Art, docteur �s �tudes Th��trales,
Olivier Rouvi�re est l'auteur de Metastasio, musicien du verbe
(Hermann, 2008) et Les Arts Florissants de W. Christie
(Gallimard, 2004). Critique musical, traducteur et r�dacteur sp�cialis� en
librettologie, il collabore r�guli�rement � Diapason et � L'Avant-Sc�ne
Op�ra. Source: L'Avant-Sc�ne Op�ra |
|
|
Julie Anne Sadie is a writer on baroque
music, especially French, and a champion of women composers, viol and cello
playing and musical museums. Her books include a Companion to Baroque
Music, and she was an editor of The New Grove Dictionary of Women
Composers. She is collaborating with her husband, Stanley Sadie, on a
guidebook to composer museums and memorials, Calling on the Composer. Source:Gramophone |
|
|
Roger Tellart : Musicologue et collaborateur de plusieurs magazines
fran�ais dont Diapason, Roger Tellart est l'auteur d'un livre sur
Heinrich Sch�tz et d'un ouvrage remarquable consacr� � Monteverdi. Il
travaille actuellement � un livre sur la naissance de l'oratorio romain. Source: Goldberg Magazine |
Roger Tellart is a
musicologist and contributor to several French magazines including
Diapason. He is the author of a book on Heinrich Sch�tz and a remakable
book on Monteverdi. He is now working on a book on the origins of the Roman
oratorio. Source: Goldberg Magazine |
| Philippe
Venturini - Journaliste � Classica et critique musical au
quotidien Les �chos. Il participe au Guide de la musique
ancienne et baroque ainsi qu'au Dictionnaire Mozart (Robert
Laffont, collection Bouquins) et a r�dig� un essai sur Corelli chez
Fayard-Mirare. Source: L'Avant-Sc�ne Op�ra |
|
| William Yeoman
est �crivain et musicien . Il vit actuellement � Peerth, en Australie de
l'ouest. Il �crit r�guli�rement pour Gramophone, pour
International Record Review et pour Limelight magazine., et le
journal West Australian publie ses critiques musicales. W. Yeoman travaille
depuis de nombreuses ann�es dans le secteur de la distribution de disques de
musique classique. Source: Goldberg Magazine |
William Yeoman
is a freelance writer and musician currently living in Perth, Western
Australia. He is a regular contributor to the Gramophone, International
Record Review and Limelight magazines, as well as being a music
critic for the West Australian newspaper. Mr. Yeoman has worked in
the classical CD retail industry for many years. Source: Goldberg Magazine |
|
|
|