Abstract
Archives, as repositories of culture and knowledge, are closely linked to colonial power, control, hegemony, and conquest. In recognizing the limitations and problems of conventional archives, scholars and artists offer counter-archiving as a method of interrogating what constitutes an archive and the selective practices that continuously erase particular subjects. Unlike static, stable, and linear colonial archives, counter-archives are grounded in accountability and reciprocity. Similarly, the anarchive is concerned with what it can do in the present-future. As such, anarchiving is less a thing, then a process or an action. This article examines anarchiving as research-creation practices through three provocations: anarchiving as indeterminate transformation, anarchiving as felt, and anarchiving as response-ability. We examine a particular anarchiving project Instant Class Kit dedicated to radical pedagogies and social justice. Anarchiving is fundamentally about practicing an ethics based on response-ability, stewardship, care, and reciprocity that center relationships to land, territory, human, and more-than-human bodies.
References
Alaimo, S. (2016). Exposed. Minneapolis: University of Minnesota Press. Google Scholar | Crossref | |
Boon, M., Leine, G. (2018). Practice: Documents of contemporary art. Cambridge, MA: MIT Press. Google Scholar | |
Bradley, H. (1999). The seductions of the archive: Voices lost and found. History of the Human Sciences, 12, 107-122. Google Scholar | SAGE Journals | ISI | |
Choi, A. (2017). Introduction. In Bodies as archives: QTBIPOC art and performance in Toronto (Issue 2). Marvellous Grounds. Retrieved from http://marvellousgrounds.com/blog/issue-2-qtbipoc-art-and-performance-introduction/ Google Scholar | |
Cvetkovich, A. (2003). An archive of feelings: Trauma, sexuality, and lesbian public cultures. Durham, NC: Duke University Press. Google Scholar | Crossref | |
Derrida, J. (1995). Archive fever: A Freudian impression (Trans. Prenowitz, E. ). Diacritics, 25(2), 9-63. Retrieved from http://artsites.ucsc.edu/sdaniel/230/derrida_archivefever.pdf Google Scholar | |
Foucault, M. (2006). The historical a priori and the archive. In Merewether, C. (Ed.), The archive: Documents of contemporary art (pp. 26-30). Cambridge, MA: MIT Press. (Original work published 1969) Google Scholar | |
Freeman, B. M. (2015). The spirit of Haudenosaunee youth: The transformation of identity and well-being through culture-based activism (Unpublished doctoral dissertation). Wilfrid Laurier University, Waterloo, Canada. Google Scholar | |
Greetham, D. (1999). Who’s in, who’s out: The cultural poetics of archival exclusion. Studies in the Literary Imagination, 32(1), Article 1. Google Scholar | |
Guardians gather to watch porn, reminisce . (2016, September 19). Retrieved from https://clga.ca/newsfeed/news/guardians-gather-watch-porn-reminisce/ Google Scholar | |
Haritaworn, J. (2019). Introduction. In Haritaworn, J., Moussa, G., Ware, S. (Eds.), Marvellous grounds: Queer of colour histories of Toronto. Toronto, Ontario, Canada: ON: Between the Lines. Google Scholar | |
Hennessy, K., Lynn-Smith, T. (2018). Fugitives: Anarchival materiality in the archives. Public, 29, 128-144. Google Scholar | Crossref | |
Higgins, D. (1998). Theory and reception. In Friedman, K. (Ed.), The Fluxus reader (pp. 217-236). London, England: Academy Editions. Google Scholar | |
Higgins, H. (2002). Fluxus experience. Berkeley: University of California Press. Google Scholar | |
Iversen, M. (2010). Chance: Documents in contemporary art. Cambridge MA: MIT Press. Google Scholar | |
Johnson, J. (2015). Pathways to the eighth fire: Indigenous knowledge and storytelling in Toronto (Unpublished doctoral thesis). York University, Toronto, Canada. Google Scholar | |
Kidd, M., Lascu, M. (2018). Horizontal mentorship: A preservation solution for marginalized and underrepresented audio-visual works. Public, 29, 199-207. Google Scholar | Crossref | |
Manoff, M. (2004). Theories of the archive from across the disciplines. Libraries and the Academy, 4, 9-25. doi:10.1353/pla.2004.0015 Google Scholar | Crossref | ISI | |
Martin, A., Myers, N., Viseu, A. (2015). The politics of care in technoscience. Social Studies of Science, 45, 625-641. Google Scholar | SAGE Journals | ISI | |
Massumi, B. (2016). Working principles. In Murphie, A. (Ed.), The go-to how to book of anarchiving (pp. 6-8). Montreal, Québec, Canada: SenseLab. Retrieved from http://senselab.ca/wp2/wp-content/uploads/2016/12/Go-To-How-To-Book-of-Anarchiving-landscape-Digital-Distribution.pdf Google Scholar | |
Meyer, H. (2016). Tape condition: Degraded, w/Cait McKinney, 2016. Retrieved from https://hazelmeyer.com/Tape-Condition-degraded-w-Cait-McKinney-2016 Google Scholar | |
Miles, J., Springgay, S. (2019). The indeterminate influence of Fluxus on contemporary curriculum and pedagogy. International Journal for Qualitative Studies in Education. Google Scholar | Crossref | |
Mohamed, M. (2018). Somehow I found you: On Black archival practices. C Magazine, p. 137. Retrieved from https://cmagazine.com/issues/137/somehow-i-found-you-on-black-archival-practices Google Scholar | |
Murphy, M. (2015). Unsettling care: Troubling transnational itineraries of affect in feminist health practices. Social Studies of Science, 45, 717-737. Google Scholar | SAGE Journals | ISI | |
Robinson, D. (2017). Public writing, sovereign reading: Indigenous language art in public space. Art Journal, 76, 85-99. Google Scholar | Crossref | |
Sekula, A. (1986). The body and the archive. October, 39, 3-64. doi:10.2307/778312 Google Scholar | Crossref | |
Singh, J. (2018). No archive will restore you. Lexington, KY: Punctum Books. Google Scholar | |
Springgay, S., Truman, S. E. (2017a). Stone walks: Inhuman animacies and queer archives of feeling. Discourse: Studies in the Cultural Politics of Education, 38(6), 851-863. Google Scholar | Crossref | |
Springgay, S., Truman, S. E. (2017b). On the need for methods beyond proceduralism: Speculative middles, (In) tensions, and response-ability in research. Qualitative Inquiry, 24(3), 203-214. Google Scholar | SAGE Journals | |
Springgay, S., Truman, S. E. (2018). Walking methodologies in more-than-human world: WalkingLab. New York: Routledge. Google Scholar | |
Stewart, C. (2017). Take care (exhibition publication). Retrieved from http://blackwoodgallery.ca/Web%20Images/2017/Take%20Care/BlackwoodGallery_TakeCare_0_TakeCare.pdf Google Scholar | |
Stoler, A. L. (2002). Colonial archives and the arts of governance. Archival Science, 2, 87-109. doi:10.1007/BF02435632 Google Scholar | Crossref | |
Sundberg, J. (2014). Decolonizing posthumanist geographies. Cultural Geographies, 21(1), 33-47. Google Scholar | SAGE Journals | ISI | |
Tape condition: Degraded . (2016, May 8). Retrieved from https://clga.ca/past-exhibitions/tape-condition-degraded/ Google Scholar | |
Thompson, C. (2018). Searching for Black voices in Canada’s archives: The invisibility of a “visible” minority. Public, 29, 88-95. Google Scholar | Crossref | |
Tuck, E. (2009). Suspending damage A letter to communities. Harvard Educational Review, 79(3), 409-427. Google Scholar | Crossref | ISI | |
Turner, C. (2018). BlackGrange [audio recording]. Retrieved from http://camilleturner.com/project/blackgrange/ Google Scholar | |
Ware, S. (2017). All power to all people? Black LGBTTI2QQ activism, remembrance, and archiving in Toronto. TSQ: Transgender Studies Quarterly, 4, 170-180. Google Scholar | Crossref | |
Ware, S. (interview with M. Forrester & C. Gallant). (2019). Organizing on the corner: Trans women of colour and sex worker activism in Toronto in the 1980s and 1990. In Haritaworn, J., Moussa, G., Ware, S. (Eds.), Marvellous grounds: Queer of colour histories of Toronto (pp. 32-46). Toronto, Ontario, Canada: Between the Lines. Google Scholar | |
Willard, T. (2018a). Bush manifesto. C Magazine, 136, 6-7. Google Scholar | |
Willard, T. (2018b). Strong breeze Cmes’ekst. In Shaw, C., Turpin, E. (Eds.), The work of wind: Air, land, sea (pp. 188-210). Berlin, Germany: K. Verlag. Google Scholar |